Johann Sebastian Bach[n 2] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.[2][3]
Unlike the suites for unaccompanied cello or the sonatas and partitas for solo violin, Bach’s works for solo lute do not seem to have been conceived as a group. They include a variety of compositions written in different styles and span a fairly long period of his creative life; the E minor Suite BWV996 dates from Bach’s time in Weimar, while the Prelude, Fugue and Allegro BWV998 is believed to have been composed during the last years of his life. Although some pieces are more idiomatic than others, they all make taxing demands on the performer. There is no evidence that Bach actually played the lute himself, but he was clearly interested in the sound of the instrument. This is further illustrated by his subtle use of it in the St John Passion and the Trauerode BWV 198. Of the four suites which appear to have been written specifically with the lute in mind, Arcady Ivannikov presents the E minor BWB996 and the C minor BWV997 (transposed here to A minor). BWV997 is probably a late work of Bach’s and in the richness and complexity of its full five-movement form (especially the fugue) notably reminiscent of the Sonatas and Partitas for solo violin, which makes Ivannikov’s coupling so inspired (but unusual). As a transcriber and performer, Ivannikov has taken a path of minimal intervention, attempting only to make small editorial adjustments to ease the fit of the music from the four-string violin to the six-string guitar. Culminating in the sublime Chaconne which was probably composed as a tombeau to mark the sudden passing of his first wife Maria Barbara, the D minor Partita is Bach’s most profound work for solo instrument besides the piano, and a fitting climax to this collection from one of Russia’s master guitarists.
Tracklist: Prelude, Fugue & Allegro in E-Flat Major, BWV 998: 00:00:00 I. Prelude 00:02:28 II. Fugue 00:09:01 III. Allegro Suite in E Minor, BWV 996: 00:13:01 I. Prelude 00:16:16 II. Allemande 00:18:44 III. Courante 00:22:13 IV. Sarabande 00:27:07 V. Bourree 00:28:35 VI. Gigu Sonata in A Minor, BWV 1003: 00:32:12 I. Grave 00:36:30 II. Fuga 00:44:58 III. Andante 00:50:15 IV. Allegro Suite No. 2 in A Minor, BWV 997: 00:57:09 I. Prelude 01:00:31 II. Fuga 01:07:46 III. Sarabande 01:13:40 IV. Gigue 01:16:40 V. Double Partita No. 2 in D Minor, BWV 1004: 01:20:27 I. Allemande 01:25:12 II. Corrente 01:28:24 III. Sarabande 01:33:42 IV. Giga 01:39:04 V. Chaconne 01:54:34 Prelude in D Minor, BWV 999
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου