The Aynsley Dunbar Retaliation is the 1968 debut album by The Aynsley Dunbar Retaliation, a vehicle for drummer Aynsley Dunbar after stints in John Mayall & the Bluesbreakers and The Jeff Beck Group.
The album was released in 1968 in Canada, France, Sweden, the UK, and
the US with a limited re-release the following year. The cover art was
designed by Hipgnosis.
Line-up / Musicians
Victor Brox - 12-string guitar, organ, cornet, vocals
Alex Dmochowski - bass
John Moorshead - lead guitar
Annette Brox - vocals
Aynsley Dunbar - drums
Tracks Listing
01.Invitation to a Lady
02.Blood on Your Wheels
03.Downhearted
04.Whistlin' Blues
05.Keep Your Hands Out
06.Sleepy Town Sister
07.Fortune City
08.Put Some Love on You
09.Bloody Souvenir
10.Toga
The Dirty Blues Band was a white blues
outfit best known as the stamping grounds, for a time, for Rod Piazza and Glenn Ross Campbell.
The group was spawned in Riverside, CA, from a convergence of members
of a handful of notable local outfits -- their rhythm section, John Millikan (drums) and Les Morrison (bass), were high school classmates who'd previously played in the L-J's, whence also came keyboard player Pat Moloney.
The L-J's had started out playing jazz in 1964, but by the end of 1965
had evolved into the Mystics, a much more blues-focused outfit, whose
ranks included Bob Sandell on rhythm guitar and Rod Piazza on lead vocals and harp. Their main influences were such British Invasion bands as Them (whose "Mystic Eyes" had provided their name), the Animals, the Yardbirds, and the Rolling Stones
-- although nominally a blues band, their sound was really more an
amalgam of blues and R&B as done by those groups
That all changed when Piazza and a couple of his bandmates went to a performance by the Byrds at The Trip in Los Angeles, where the opening act was the still mostly unknown Paul Butterfield Blues Band. What they saw and heard that night convinced the Mystics, especially Piazza,
that they had to switch over to playing a purer form of blues. They
ceased being the Mystics, taking on the name House of DBS (meaning Dirty
Blues Sound) in 1966. There followed a lot of gigs in and around Los
Angeles, where they honed their new sound and also lost their original
lead guitarist, Jeff Ray -- in his place, Piazza recruited a friend of his from a band he'd once hung out with, the Misunderstood, named Glenn Ross Campbell. The Misunderstood had broken up and he was available and willing, and once he joined, the group's sound fairly blossomed, as Campbell became known for stretching out on his solos and improvisations for long minutes at their shows.
By the summer of 1967,
with the beginnings of a serious rock music press, the House of DBS was
getting proper coverage, and by the end of that season, they had a
management and production deal with Lee Magid, who was best known in the business at that time as the manager of singer Della Reese. Magid
produced their debut album and sold it to ABC Records, also
facilitating a name-change to the Dirty Blues Band. Their self-titled
debut album appeared in early 1968 on the ABC imprint Bluesway, and
although the members weren't entirely happy with the results of the two
days of rushed recording, they seemed to have a promising future ahead
of them. The military draft then reared its ugly head, and suddenly Millikan, Morrison, and Sandell -- the group's whole rhythm section -- were called up. Campbell exited by choice a little while later, seeing no future for the group. Ironically, they did carry on, however, with Rick Lunetta (guitar), Greg Anderson (bass), and Dave Miter (drums). That group, augmented by trumpet man Freddie Hill and saxmen Jimmy Forrest and Willie Green, got a second album together, entitled Stone Dirt. But by the end of 1968, even that second lineup had collapsed, and all concerned were pursuing solo and new group projects. Piazza and Campbell
were the most visible alumni and, indeed, their presence in the band
accounts for a significant part of the interest in their work, on the
part of people who never did get to hear the original albums.
Line-up / Musician
Rod "Gingerman" Piazza - vocals, harmonica
Rick Lunetta - guitar
Pat Maloney - organ, piano
Gregg Anderson - bass
Dave Miter - drums
&
Jimmy Forrest - tenor saxophone
Willie Green - baritone saxophone
Freddie Hill - trumpet
Tracks Listing
01. Bring It On Home
02. It's My Own Fault (John Lee Hooker)
03. I Can't Quit You Baby
04. Tell Me
05. She's The One
06. My Babe
07. Sittin' Down Wonderin'
08. Six Sides
09. You've Got To Love Her With A Feeling
10. Gone Too Long
Setlist:
1. Sweet Home Chicago 0:01:47
2. She’s Fine 0:06:36
3. Listen Here! 0:12:46
4. Cold Cold Feeling 0:19:18
5. Skatin’/Ice Pick 0:27:40
6. Brick 0:34:13
7. The Things That I Used To Do 0:39:31
8. If You Love Me Like You Say 0:45:22
9. Cold Cuts 0:51:15
10. I Got A Mind To Travel 1:05:18
11. Angel Of Mercy 1:11:13
12. Frosty 1:18:05
13. Instrumental Jam 1:30:50
Lineup:
Albert Collins - Guitar and Vocals
Marvin Jackson - Guitar
A.C. Reed - Tenor Sax
Allen Batts - Organ
Johnny B. Gayden - Bass
Casey Jones - Drums
“Dear friends, today live at Rockpalast: The Icebreakers!“ With these words Albrecht Metzger announced the blues band of four, which the audience of the Westfalenhalle 2 in Dortmund, Germany didn’t know much about, yet on November 26th 1980. That’s why the welcome has been a little lukewarm at first, but about ten minutes later plaudits were rising: After the opener ”Sweet Home Chicago“ and ”She´s So Fine“, the “Master Of The Telecaster” entered the stage. Albert Collins was immediately attracting his fans’ attention: ”Listen Here“. Seconds after the extraordinary instrumental intro the ice melted away: An impish grin in his sweaty face the Texan in his red outfit draw his unique blue notes from his Fender guitar. Also “Cold Cold Feeling“ was an expression of Collin’s talent.
With his long thin fingers and without the commonly used pick, the Iceman treats the six strings of his instrument in an inimitable manner. Also unusual was, that Albert Collins didn`t wear his guitar belt along his back, but solely around his right shoulder. This gave him more freedom to move, which he made use of, extensively. In addition to that, the very long cable gave him the possibility to go for a stroll into the audience – Collins wasn’t yet using a wireless system. At this Rockpalast concert he also left the stage to meet his fans in the crowd.
Long improvisations and solos – also by his great band around saxophonist and singer A.C. Reed – are emphasizing his reputation as an experienced soloist and brilliant entertainer, evenhandedly. Also amongst his musical fellows, Albert Collins enjoyed a very high reputation. Even before the Rockpalast recording, the 1st October 1932 in Leona, Texas born guitarist was working with a great number of bands and soloists in jam sessions. The following years of the 90’s Collins was surfing a wave of respect and sympathy: Gary Moore, John Lee Hooker, B.B. King and John Mayall hired him for guest appearances on their albums ”Still Got The Blues“, “Mr. Lucky“, “Blues Summit“ and “Wake Up Call“. After this his own albums like “Cold Snap“ and “Sudden Frost“ were selling better and better and Albert played twice at the legendary Montreux Festival in Switzerland in 1979 and 1992.
On the high peak of his career the “Icepicker” died of liver cancer on 24th November 1993 in Las Vegas. This DVD is a memorial for this likeable master of the blues. Furthermore this concert contains with “If You Love Me Like You Say“ and “Frosty“ two milestones of a fantastic career.
Paul Rodgers (formerly of Free and Bad Company) released this tribute to Muddy Waters in 1993.
This album is not particularly well known but is still readily available on CD. Here is a linkhttps://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbEdzMjRUMzFCeE5UcEZBU2x3bi1oSl9KSE9qZ3xBQ3Jtc0ttQ1JFWmtpYWZPV2NHczVmU0piZVVPNHBKclpTLXVfWmwtNTB1ZzNXWVNEa3k5c2txODUtbDMtNm11ejRIN002dzJFbXZvb2ozVC1EcjJkaUZXVVlVcndvTHdwdEFlYmJKNV9pUHI0WVpHLU5oVGZkTQ&q=https
Among the tracks covered on the album is the Albert King song "The Hunter", which Rodgers had previously recorded with Free on their debut album Tons of Sobs.
As well as the standard one-disc edition, a limited edition version was
also released featuring a bonus disc of re-recordings of Free and Bad
Company hits.
1. It Takes Time - Vocals: Nick Gravenites (Otis Rush, Willie Oixon) - 00:002. Oh Mama - Vocals: Michael Bloomfield (Michael Bloomfield) - 04:273. Love Got Me - Vocals: Bob Jones (Arthur Conley) - 07:274. Blues On West Side - Vocals: Nick Gravenites (Nick Gravenites) - 10:045. One More Mile To Go - Vocals: Taj Mahal (Joseph Cotton) - 26:036. It's About Time - Vocals: Nick Gravenites (Nick Gravenites) - 36:397. Carmelita Skiffle - Instrumental (M. Bloomfield, N. Gravenites, B. T. Jones, M. Naftalin) - 43:398. Killing My Love - Vocals: Nick Gravenites (Nick Gravenites) - 48:519. Gypsy Good Time - Vocals: Nick Gravenites (Nick Gravenites) - 54:1010. Holy Moly - Vocals: Nick Gravenites (Nick Gravenites) - 58:4011. Moon Tune - Vocals: Nick Gravenites (Nick Gravenites) - 1:02:3412. Mary Ann - Vocals: Michael Bloomfield (Ray Charles) - 1.11:09It Takes Time" 1:16:38Oh Mama" 1:21:05Blues On A Westside" 1:26:42One More Mile To Go" 1:42:41Its About Time" 1:53:17"Carmelita Skiffle" 2:00:18Bonus (CD del 2009)
Killing My Love – (Nick Gravenites) 2:05:29Gypsy Good Time – (Nick Gravenites) 2:10:48Holy Moly – (Nick Gravenites) 2:15:18Moon Tune – (Nick Gravenites) 2:19:13Mary Ann – 2:27:48
Tracks 1-7 from the Columbia album Live At Bill Graham's Fillmore West
Tracks 8-11 from the Nick Gravenites Columbia album My Labors (featuring Mike Bloomfield)
Track 12 from the Columbia album The Live Adventures of Mike Bloomfield andAI Kooper
Musicians
*Michael Bloomfield - Guitar, vocals
*Nick Gravenites - Vocals, guitar
*Mark Naftalin - Piano
*Ira Kamin - Organ
*John Kahn - Bass
*Bob Jones - Drums, vocals
*Dino Andino - Conga
*Noel Jewkis - Tenor sax
*Gerald Oshita - Baritone sax
*Snooky Flowers - Baritone sax
*John Wilmeth - Trumpet
*Taj Mahal - Vocals
Bonus Track
*Michael Bloomfield - Guitar, vocals
*Al Kooper - Organ, vocals
*John Kahn - Bass
*Skip Prokop - Drums
1. Walkin' Blues (Robert Johnson, Arranged by Nick Gravenites) 0:00
2. Funky News (Nick Gravenites) 6:49
3. Anna (Nick Gravenites) 11:11
4. Get Together (Chet Powers) 17:37
5. Born in Chicago (Nick Gravenites) 23:44
6. Small Walk-In Box (Nick Gravenites) 28:50
7. Four Floors or Forty (Nick Gravenites) 38:50
8. You Can't Hurt Me No More (Nick Gravenites) 44:18
John Cipollina / Guitars, Vocals
Nick Gravenites / Guitars, Vocals
Tony Johnson / Drums
Doug Kilmer / Bass, Vocals
In 1967, Nick Gravenites influential group founded Electric Flag, which included as Bloomfield, organist Barry Goldberg, bassist Harvey Brooks and drummer Buddy Miles. The band debuted at the Monterey Pop Festival, her debut album A Long Time Comin 'was a success in the charts. As a music producer Gravenites recorded pop hit «One Toke Over the Line» for the duo Brewer & Shipley, and the album Right Place-Wrong Time Otis Rush, for which he was nominated for a Grammy. In 2003 he was introduced to the Blues Hall of Fame. Gravenites continues to give concerts - with a team of Chicago Blues Reunion, as well as the new composition of Electric Flag.
Primarily a British blues band at first, Fleetwood Mac scored a UK number one with "Albatross",[6] and had other hits such as the singles "Oh Well" and "Man of the World". All three guitarists left in succession during the early 1970s, to be replaced by guitarists Bob Welch and Bob Weston and vocalist Dave Walker.
By 1974, Welch, Weston and Walker had all either departed or been
dismissed, leaving the band without a male lead vocalist or guitarist.
In late 1974, while Fleetwood was scouting studios in Los Angeles, he
heard American folk-rock duo Lindsey Buckingham and Stevie Nicks, and asked Buckingham to be their new lead guitarist, and Buckingham agreed on condition that Nicks could also join the band.
1 Coming Your Way 00:00Written-By – Danny Kirwan
2 Closing My Eyes 03:47Written-By – Peter Green
3 Show-Biz Blues 08:42Written-By – Peter Green
4 My Dream 12:37Written-By – Danny Kirwan
5 Underway 15:48Written-By – Peter Green
6 Oh Well 18:42Written-By – Peter Green
7 Although The Sun Is Shining 27:46Written-By – Danny Kirwan
8 Rattlesnake Shake (Original Version Blocked Worlwide) 30:12Written-By – Peter Green
9 Searching For Madge 37:17Written-By – John McVie
10 Fighting For Madge 44:15Written-By – Mick Fleetwood
11 When You Say 47:04:
Written-By – Danny Kirwan
12 Like Crying
Written-By – Danny Kirwan
13 Before The Beginning 54:00Written-By – Peter Green (2)
Realizzato da – Record Service GmbH
Copyright – Warner Bros. Records Inc.
Pubblicato da – Fleetwood Music
Pubblicato da – Hot Wax Production
Masterizzazione su vetro – Specialty Records Corporation
Artwork [Photo Design] – Terrence Ibbott*
Bass – John McVie
Drums – Mick Fleetwood
Engineer [Recording Engineer] – Martin Birch
Harmonica – Big Walter Horton*
Painting [Front Cover Painting; John Jesse Collection] – Maxwell Armfield
Producer – Fleetwood Mac
Vocals, Guitar – Danny Kirwan, Jeremy Spencer, Peter Green (2)
Cats# appears as:
7599-27448-2 on back cover & spine
927 448-2 on CD label
1970 Warner Bros. Records Inc.
Published by Fleetwood Music ASCAP except track 4 & 11 published by Hot Wax Production ASCAP.
Set list:
1. Band
2. Band
3. Still Like To Do The Things I Used To Do
4. DD Rider
5. So Good At Being No Good
6. Tell It
7. Big & Hot
8. ABCs of Love (What'd I Say by Ray Charles)
9. So Hard
10. Have Hom Will Travel
11. Gone
12. Don't Mess With Me
13. Rock On
14. There Is Something On Your Mind
15. Hands Off (Got My Mojo Workin)
encore
16. Every Night Is Saturday Night
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