Εμφάνιση αναρτήσεων με ετικέτα Rod Stewart. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Rod Stewart. Εμφάνιση όλων των αναρτήσεων

Τρίτη 17 Ιανουαρίου 2023

J̰ḛf̰f̰ ̰Bḛc̰k̰-- Beck Ola-- Full Album 1969

 

I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.

— Jeff Beck[11]

Geoffrey Arnold Beck (24 June 1944 – 10 January 2023) was an English guitarist. He rose to prominence as a member of the rock band The Yardbirds, and afterwards founded and fronted The Jeff Beck Group and Beck, Bogert & Appice. In 1975, he switched to an instrumental style with focus on an innovative sound, and his releases spanned genres and styles ranging from blues rock, hard rock, jazz fusion and a blend of guitar-rock and electronica.

Beck was ranked in the top five of Rolling Stone and other magazines' lists rankings of the greatest guitarists.[4][5][6] He was often called a "guitarist's guitarist".[7] Rolling Stone described him as "one of the most influential lead guitarists in rock".[8] Although he recorded two successful albums (in 1975 and 1976) as a solo act, Beck did not establish or maintain commercial success like that of his contemporaries and bandmates.[7][3] He recorded with many artists.[9]

Beck earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Instrumental Performance once. In 2014, he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music.[10] He was inducted into the Rock and Roll Hall of Fame twice: first as a member of the Yardbirds (1992) and secondly as a solo artist (2009)

"All Shok up" - (Elvis Presley, Otis Blackwell) 00:00 "Spanish Boots" - (Jeff Beck, Rod Stewart, Ron Wood) 04:52 "Girl From Mill Valley" - (Nick Hopkins) 08:29 "Jailhouse Rock" - (Jerry Leiber, Mike Stoller) 12:16 "Plynth (Water Down the Drain)" - (Nicky Hopkins, Rod Stewart, Ron Wood) 15:32 "The Hangman's Knee" - (Jeff Beck, Nicky Hopkins, Rod Stewart, Ron Wood, Tony Newman) 18:40 "Rice Pudding" - (Jeff Beck, Nicky Hopkins, Ron Wood, Tony Newman) 23:30 

  Jeff Beck – guitars, backing vocals on "Throw Down a Line" Rod Stewart – lead vocals Nicky Hopkins – piano and organ Ronnie Wood – bass guitar Tony Newman – drums 

  Additional personnel Micky Waller – drums on "Sweet Little Angel" Mickie Most – producer  

After the release of their previous album Truth, by the end of 1968 drummer Micky Waller was replaced by Tony Newman, as Jeff Beck wanted to take the music in a heavier direction and he viewed Waller as more of a finesse drummer in the style of Motown.[2] Pianist Nicky Hopkins, who had also played on Truth, was asked to join the band full-time for his work in the studio. 

  Recording sessions for the album took place over six days in April 1969 – the 3rd, 6th, 8th, 10th, 11th and 19th.[3] Two covers of Elvis Presley tunes were chosen, "All Shook Up" and "Jailhouse Rock", as well as "Girl From Mill Valley", an instrumental by and prominently featuring Hopkins. The remaining four tracks consist of band originals, with the instrumental "Rice Pudding" ending the album dramatically cold. The album cover features a reproduction of Belgian surrealist artist René Magritte's The Listening Room. On the back cover to the original vinyl issue, beside "Beck-Ola" is written the tag "Cosa Nostra", Italian for "Our Thing". 

  Following the sessions for this album, the Jeff Beck Group toured the United States. They were scheduled to play Woodstock and are listed on posters promoting the festival, but by then internal friction had reached the breaking point and both Ronnie Wood and Rod Stewart were out of the band.[4] Stewart and Wood would form The Faces with members of the Small Faces in 1969, while Hopkins played Woodstock with Jefferson Airplane, joined Quicksilver Messenger Service, and toured the world with The Rolling Stones in 1971, 1972 and 1973. Beck himself would be out of commission by December due to an automobile accident.

Δευτέρα 31 Ιανουαρίου 2022

Rod Stewart- You Keep Me Hangin' On

 Sir Roderick David Stewart CBE (born 10 January 1945)[1] is a British rock and pop singer, songwriter, and record producer. Born and raised in London, he is of Scottish and English ancestry. With his distinctive raspy singing voice, Stewart is one of the best-selling music artists of all time, having sold over 250 million records worldwide.[2] He has had 10 number-one albums and 31 top ten singles in the UK, 6 of which reached number one.[3] Stewart has had 16 top ten singles in the US, with four reaching number one on the Billboard Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity.[4]

"You Keep Me Hangin' On"
(originally by The Supremes)

Set me free why don't cha babe
Get out of my life why don't cha babe
'cause you don't really love me
You just keep me hangin'on

Set me free why don't cha babe
Get out of my life why don't cha babe
You don't really need me
But you keep me hangin'on

Why do you keep a comin' around
Playing with my heart
Why don't cha get out of my life
And let me make a brand new start
Let me get over you
The way you've gotten over me yeah

You say although we broke up
You still just wanna be friends
But how can we still be friends
When seeing you only breaks my heart again

Get out, get out of my life
And let me sleep at night
'Cos you don't really love me
You just keep me hangin'on

You say you still care for me
But your heart and soul needs to be free
And now that you've got your freedom
You wanna still hold on to me
You don't want me for yourself
So let me find somebody else

Why don't cha be a man about it and set me free
Now you don't care a thing about me
You're just using me - Hey, abusing me
Get out, get out of my life
And let me sleep at night
'Cos you don't really love me
You just keep me hangin'on
You don't really need me
You just keep me - hangin'on

Provided to YouTube by Rhino/Warner Records You Keep Me Hangin' On · Rod Stewart Foot Loose & Fancy Free ℗ 1977 WEA Records B.V. Unknown: Andy Johns Backing Vocals: Andy Johns Guitar: Billy Peek Backing Vocals: Billy Peek Drums: Carmine Appice Backing Vocals: Carmine Appice Keyboards: David Foster Unknown: David Gerts String Arranger: Del Newman Guitar: Gary Grainger Backing Vocals: Gary Grainger Unknown: George Tetko Guitar: Jim Cregan Backing Vocals: Jim Cregan Keyboards: John Jarvis Backing Vocals: John Jarvis Unknown: John Naslen Unknown: Lee Hulko Backing Vocals: Mark Stein Synthesizer: Nicky Hopkins Percussion: Paulinho Da Costa Drums: Phil Chen Bass Guitar: Phil Chen Backing Vocals: Phil Chen Saxophone: Phil Kenzie Violin: Richard Greene Backing Vocals: Rod Stewart Guitar: Steve Cropper Unknown: Sy Potma Producer: Tom Dowd Percussion: Tommy Vig Unknown: Wally Heider Writer: Brian Holland Writer: Eddie Holland Writer: Lamont Dozier

The Supremes original version[edit]

Background[edit]

"You Keep Me Hangin' On" was originally recorded in 1966 by the Supremes for the Motown label. The single is rooted in proto-funk and rhythm and blues, compared to the Supremes' previous single, "You Can't Hurry Love", which uses the call and response elements akin to gospel. The song's signature guitar part is said to have originated from a Morse code-like radio sound effect, typically used before a news announcement, heard by Lamont Dozier. Dozier collaborated with Brian and Eddie Holland to integrate the idea into a single.[3]

Many elements of the recording, including the guitars, the drums, and Diana Ross's vocals were multitracked, a production technique which was established and popularized concurrently by Holland–Dozier–Holland (H–D–H) and other premier producers of the 1960s such as Phil Spector (see Wall of Sound) and George Martin. H–D–H recorded the song in eight sessions with the Supremes and session band the Funk Brothers before settling on a version deemed suitable for the final release.[3]

Reception[edit]

"You Keep Me Hangin' On" was the first single taken from the Supremes' 1967 album The Supremes Sing Holland–Dozier–Holland. The song became the group's eighth number-one single when it topped the Billboard Hot 100 pop singles chart for two weeks in the United States from November 19 to 26, 1966.[4][5] It peaked at number eight in the UK Singles Chart. The Supremes original version was ranked number 339 on Rolling Stone'The 500 Greatest Songs of All Time.[6] It was voted number 43 on Detroit's 100 Greatest Songs, a Detroit Free Press poll in 2016.[7] Billboard described the song as a "pulsating rocker with the trio in top form" with an "interesting, driving guitar figure throughout."[8] Cash Box said that it is "another in [the Supremes'] long-line of strong 'Detroit' offerings" that "is bound to follow in footsteps of the group’s previous winners."[9]

The track is one of the more oft-covered songs in the Supremes canon. The group performed the song on the ABC variety program The Hollywood Palace on October 29, 1966.[10]

Personnel[edit]


 This album is a very ghostly visit from Bob Smith. On much of the album the music seems to draw together the various strains of west coas...