White is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Paris, Karol begins his effort to restore equality to his life through revenge.
🎧Tracklist:
🔸 Music directed by: Zbigniew Paleta
🔸 Recorded by: The String Sextet
🔸 The Zbigniew Preisner Light Orchestra
🔸 Soloists:
• Zbigniew Paleta — 1st Violin
• Mariusz Pedziałek — Oboe
• Jan Cielecki — Clarinet
00:00 | 01. The Beginning
01:17 | 02. The Court
02:23 | 03. Dominique Tries To Go Home
03:40 | 04. A Chat In The Underground
05:53 | 05. Return To Poland
07:19 | 06. Home At Last
08:43 | 07. On The Wisla
09:57 | 08. First Job
10:47 | 09. Don't Fall Asleep
11:34 | 10. After The First Transaction
12:57 | 11. Attempted Murder
14:22 | 12. The Party On The Wisla
16:11 | 13. Don Karol I
17:06 | 14. Phone Call To Dominique
17:45 | 15. Funeral Music
19:15 | 16. Don Karol II
20:10 | 17. Morning At The Hotel
22:38 | 18. Dominique's Arrest
24:25 | 19. Don Karol III
25:50 | 20. Dominique In Prison
27:10 | 21. The End
Zbigniew Preisner was born in Bielsko-Biała, southern Poland, and studied history and philosophy at the Jagiellonian University in Kraków. Never having received formal music lessons, he taught himself music by listening and transcribing parts from records. His compositional style represents a distinctively sparse form of tonalneo-Romanticism. Paganini and Jean Sibelius are acknowledged influences.[3]
Kieślowski had announced that this would be his final film, planning to retire claiming to be through with filmmaking;[3] he would die suddenly less than two years later. Red is about fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.
00:00 | 01. Milosc Od Pierwszego Wejrzenia | Zbigniew Zamachowski
• Music: Zbigniew Preisner
• Lyrics: Wislawa Szymborska
04:28 | 02. Fashion Show I
• Music: Zbigniew Preisner
09:18 | 03. Meeting The Judge
• Music: Zbigniew Preisner
10:20 | 04. The Tapped Conversation
• Music: Zbigniew Preisner
11:40 | 05. Leaving The Judge
• Music: Zbigniew Preisner
13:31 | 06. Psychoanalysis
• Music: Zbigniew Preisner
15:39 | 07. Today Is My Birthday
• Music: Zbigniew Preisner
18:45 | 08. Do Not Take Another Man's Wife I
• Music: Van Den Budenmayer
21:15 | 09. Treason
• Music: Zbigniew Preisner
24:42 | 10. Fashion Show II
• Music: Zbigniew Preisner
26:09 | 11. Conversation At The Theatre
• Music: Zbigniew Preisner
29:57 | 12. The Rest Of The Conversation At The Theatre
• Music: Zbigniew Preisner
30:55 | 13. Do Not Take Another Man's Wife II
• Music: Van Den Budenmayer
33:44 | 14. Catastrophe
• Music: Zbigniew Preisner
34:33 | 15. Finale
• Music: Zbigniew Preisner
Zbigniew Preisner was born in Bielsko-Biała, southern Poland, and studied history and philosophy at the Jagiellonian University in Kraków. Never having received formal music lessons, he taught himself music by listening and transcribing parts from records. His compositional style represents a distinctively sparse form of tonalneo-Romanticism. Paganini and Jean Sibelius are acknowledged influences.[3]
Three Colours: Blue (French: Trois couleurs: Bleu, Polish: Trzy kolory: Niebieski) is a 1993 psychological drama film co-written and directed by Polish filmmaker Krzysztof Kieślowski. It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red (both 1994). According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.[3]
Set in Paris, the film follows a woman named Julie (Juliette Binoche) whose husband and daughter are killed in a car accident. Suddenly freed from her familial bonds, she tries to isolate herself and live in seclusion from her former ties. However, she discovers that she cannot escape human connections.[4]
Upon its release, Blue received widespread critical acclaim and won several awards, including the Golden Lion and the Volpi Cup for Best Actress at the Venice Film Festival. It remains one of Kieślowski's most celebrated works.[5][6] The male lead, Benoît Régent, died of an aneurysm at the age of 41 in October 1994, just one year after the film was released.[7]
00:00 | 01. Song For The Unification Of Europe (Patrice's Version)
05:13 | 02. Van Den Budenmayer — Funeral Music (Winds)
07:19 | 03. Julie — Glimpses Of Burial
07:52 | 04. Reprise — First Appearance
08:26 | 05. The Battle Of Carnival And Lent
09:23 | 06. Reprise — Julie With Olivier
10:12 | 07. Ellipsis 1
10:33 | 08. First Flute
11:26 | 09. Julie — In Her New Apartment
13:54 | 10. Reprise — Julie On The Stairs
14:20 | 11. Second Flute
15:36 | 12. Ellipsis 2
15:58 | 13. Van Den Budenmayer — Funeral Music (Organ)
• Music: Van Den Budenmayer
17:57 | 14. Van Den Budenmayer — Funeral Music (Full Orchestra)
• Music: Van Den Budenmayer
19:47 | 15. The Battle Of Carnival And Lent II
20:31 | 16. Reprise — Flute (Closing Credits Version)
22:49 | 17. Ellipsis 3
23:13 | 18. Olivier's Theme — Piano
23:53 | 19. Olivier And Julie — Trial Composition
25:54 | 20. Olivier's Theme — Finale
27:31 | 21. Bolero — Trailer For "Red" Film
28:39 | 22. Song For The Unification Of Europe (Julie's Version)
35:29 | 23. Closing Credits
37:36 | 24. Reprise — Organ
38:52 | 25. Bolero — "Red" Film
Though I speak with the tongues of angels,
If I have not love...
My words would resound with but a tinkling cymbal.
And though I have the gift of prophecy...
And understand all mysteries... and all knowledge...
And though I have all faith
So that I could remove mountains,
if I have not love...
I am nothing.
Love is patient, full of goodness;
Love tolerates all things,
Aspires to all things,
Love never dies,
while the prophecies shall be done away,
tongues shall be silenced,
knowledge shall fade...
Thus then shall linger only faith,
hope, and love...
but the greatest of these...
is love.
Pulp Fiction is a 1994 American black comedy neo-noir crime film written
and directed by Quentin Tarantino, from a story by Tarantino and Roger
Avary. Directed in a highly stylized manner, Pulp Fiction connects the
intersecting storylines of Los Angeles mobsters, fringe players,
small-time criminals, and a mysterious briefcase. The film's title
refers to the pulp magazines and hardboiled crime novels popular during
the mid-20th century, known for their graphic violence and punchy
dialogue.
The screenplay of Pulp Fiction was written in 1992 and 1993, and
incorporated some scenes originally written by Avary for True Romance.
Its plot, as in many of Tarantino's other works, is presented out of
chronological order. The film is also self-referential from its opening
moments, beginning with a title card that gives two dictionary
definitions of "pulp". Considerable screen time is devoted to monologues
and casual conversations with eclectic dialogue revealing each
character's perspectives on several subjects, and the film features an
ironic combination of humor and strong violence. Its script was
reportedly turned down by Columbia TriStar as "too demented". Miramax
co-chairman Harvey Weinstein was instantly enthralled with it, however,
and the film became the first that Miramax fully financed.
Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival, and
was a major critical and commercial success upon its U.S. release. It
was nominated for seven Oscars, including Best Picture; Tarantino and
Avary won for Best Original Screenplay. John Travolta, Samuel L.
Jackson, and Uma Thurman, each received Academy Award nominations for
their roles and revitalized and/or elevated their careers. The nature of
its development, marketing, and distribution – and its consequent
profitability – had a sweeping effect on the field of independent
cinema.
Since its release, Pulp Fiction has been widely regarded as Tarantino's
masterpiece, with particular praise singled out for its screenwriting.
The film's self-reflexivity, unconventional structure, and extensive use
of homage and pastiche have led critics to describe it as a touchstone
of postmodern film. It is often considered a cultural watershed, with a
strong influence felt not only in later movies that adopted various
elements of its style, but in several other media as well. A 2008
Entertainment Weekly list named it the best film from 1983 to 2008 and
the work has appeared on many critics' lists of the greatest films ever
made. In 2013, Pulp Fiction was selected for preservation in the United
States National Film Registry by the Library of Congress as being
"culturally, historically, or aesthetically significant".
Director: Quentin Tarantino
Writers: Quentin Tarantino (stories), Roger Avary (stories)
Stars: John Travolta, Uma Thurman, Samuel L. Jackson
Quentin Jerome Tarantino (/ˌtærənˈtiːnoʊ/; born March 27, 1963)[1] is an American filmmaker
and actor. His films are characterized by frequent references to
popular culture and film history, nonlinear storylines, dark humor,
stylized violence, extended dialogue, pervasive use of profanity, cameos and ensemble casts.
Born in Knoxville, Tennessee, Tarantino grew up in Los Angeles. He began his career as an independent filmmaker with the release of Reservoir Dogs in 1992, a crime thriller in part funded by the sale of his screenplay True Romance (1993); Empire hailed Reservoir Dogs as the "Greatest Independent Film of All Time". His second film, Pulp Fiction (1994), a crime comedy, was a major success among critics and audiences and won numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay.[2][3] He wrote the screenplay for From Dusk till Dawn (1996),[4] in which he also starred, while Tarantino's third film, Jackie Brown (1997), paid homage to blaxploitation films.
0:00 - Pumpkin and Honey Bunny/Misirlou2:29 - Royale with Cheese (dialogue)4:12 - Jungle Boogie7:17 - Let's Stay Together10:35 - Bustin' Surfboards13:01 - Lonesome Town15:15 - Son of a Preacher Man17:42 - Zed's Dead, Baby/Bullwinkle Part II20:12 - Jack Rabbit Slims Twist Contest/You Never Can Tell23:25 - Girl, You'll Be a Woman Soon26:35 - If Love Is a Red Dress (Hang Me in Rags)31:31 - Bring Out the Gimp/Comanche33:43 - Flowers on the Wall36:07 - Personality Goes a Long Way37:09 - Surf Rider40:29 - Ezekiel 25:17
Django Unchained is the soundtrack to Quentin Tarantino's motion picture Django Unchained.
It was originally released on December 18, 2012. The soundtrack uses a
variety of music genres, though with an especially heavy influence from spaghetti western soundtracks.
Tracks composed for the film are "100 Black Coffins" by Rick Ross and produced by and featuring Jamie Foxx, "Who Did That To You?" by John Legend, "Freedom" by Anthony Hamilton and Elayna Boynton, "Ancora Qui" by Ennio Morricone and Elisa. These four songs were all eligible for an Academy Award nomination in the Best Original Song category, but none of them were nominated.[9]
Kill Bill Vol. 2 Original Soundtrack is the soundtrack to the second volume of the two-part Quentin Tarantino film, Kill Bill. First released on April 13, 2004, it reached #58 on the Billboard 200 and #2 on the Billboard soundtracks chart in the US. It also reached the ARIA Top 50 album charts in Australia. It was orchestrated by Tarantino's fellow filmmaker and personal friend Robert Rodriguez, as well as RZA from the Wu-Tang Clan.[2]
"A Few Words from the Bride" by Uma Thurman – 0:42
Copyright Notice:
I do not own the rights of this songs. It was uploaded for the only
propose of sharing good quality music and give credit to the artist . No
Copyright infringement is intended in any way . If you are the owner or
producer of the track and do not want the track online, contact me and I
will remove it instant
