Zbigniew Preisner (Polish: [ˈzbiɡɲɛf ˈprajsnɛr]; born 20 May 1955 as Zbigniew Antoni Kowalski)[1] is a Polish film score composer, best known for his work with film director Krzysztof Kieślowski. He is the recipient of the Gold Medal for Merit to Culture – Gloria Artis as well as the Knight's Cross of the Order of Polonia Restituta. He is a member of the French Film Academy.[2]
Life
Zbigniew Preisner was born in Bielsko-Biała, southern Poland, and studied history and philosophy at the Jagiellonian University in Kraków. Never having received formal music lessons, he taught himself music by listening and transcribing parts from records. His compositional style represents a distinctively sparse form of tonal neo-Romanticism. Paganini and Jean Sibelius are acknowledged influences.[3]
Three Colours: Blue (French: Trois couleurs: Bleu, Polish: Trzy kolory: Niebieski) is a 1993 psychological drama film co-written and directed by Polish filmmaker Krzysztof Kieślowski. It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red (both 1994). According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.[3]
Set in Paris, the film follows a woman named Julie (Juliette Binoche) whose husband and daughter are killed in a car accident. Suddenly freed from her familial bonds, she tries to isolate herself and live in seclusion from her former ties. However, she discovers that she cannot escape human connections.[4]
Upon its release, Blue received widespread critical acclaim and won several awards, including the Golden Lion and the Volpi Cup for Best Actress at the Venice Film Festival. It remains one of Kieślowski's most celebrated works.[5][6] The male lead, Benoît Régent, died of an aneurysm at the age of 41 in October 1994, just one year after the film was released.[7]
https://en.wikipedia.org/wiki/Three_Colours:_Blue
00:00 | 01. Song For The Unification Of Europe (Patrice's Version) 05:13 | 02. Van Den Budenmayer — Funeral Music (Winds) 07:19 | 03. Julie — Glimpses Of Burial 07:52 | 04. Reprise — First Appearance 08:26 | 05. The Battle Of Carnival And Lent 09:23 | 06. Reprise — Julie With Olivier 10:12 | 07. Ellipsis 1 10:33 | 08. First Flute 11:26 | 09. Julie — In Her New Apartment 13:54 | 10. Reprise — Julie On The Stairs 14:20 | 11. Second Flute 15:36 | 12. Ellipsis 2 15:58 | 13. Van Den Budenmayer — Funeral Music (Organ) • Music: Van Den Budenmayer 17:57 | 14. Van Den Budenmayer — Funeral Music (Full Orchestra) • Music: Van Den Budenmayer 19:47 | 15. The Battle Of Carnival And Lent II 20:31 | 16. Reprise — Flute (Closing Credits Version) 22:49 | 17. Ellipsis 3 23:13 | 18. Olivier's Theme — Piano 23:53 | 19. Olivier And Julie — Trial Composition 25:54 | 20. Olivier's Theme — Finale 27:31 | 21. Bolero — Trailer For "Red" Film 28:39 | 22. Song For The Unification Of Europe (Julie's Version) 35:29 | 23. Closing Credits 37:36 | 24. Reprise — Organ 38:52 | 25. Bolero — "Red" Film
Though I speak with the tongues of angels, If I have not love... My words would resound with but a tinkling cymbal. And though I have the gift of prophecy... And understand all mysteries... and all knowledge... And though I have all faith So that I could remove mountains, if I have not love... I am nothing. Love is patient, full of goodness; Love tolerates all things, Aspires to all things, Love never dies, while the prophecies shall be done away, tongues shall be silenced, knowledge shall fade... Thus then shall linger only faith, hope, and love... but the greatest of these... is love.
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