EKATHE - 1686

 Ekathé is an Argentine Jazz Fusion musician who is a true master of his instrument. He easily transports the listener on a musical trip through the alluring worlds of jazz with his captivating melodies and sophisticated improvisations. Ekathé's music is a fusion of jazz with elements of rock, funk, and Latin rhythms. He is renowned for his ability to flawlessly integrate numerous genres and styles.

 https://www.viberate.com/artist/ekathe/

00:00 04:36 LANCHERO 04:36 07:42 FRUTERIA 07:42 10:34 FIJI (Pablito's dream) 10:34 15:47 KALUA 15:47 20:48 SIN HABLAR 20:48 24:56 LA PACIENCIA 24:56 28:29 DESENCUENTRO 28:29 33:10 NIÑOS GALAXY Ekathe es: Javier Muller - Saxo alto Nicolas Pons - Teclados Tomas Torres - Guitarra eléctrica Pablo Barone - Bajo eléctrico Ivan Marcori - Batería

Miles Davis- In a Silent Way

 Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz.^[1]

Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album 'Round About Midnight in 1955.^[2] It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959).^[3] The latter recording remains one of the most popular jazz albums of all time,^[4] having sold over five million copies in the U.S.

In a Silent Way · Miles Davis In A Silent Way ℗ Originally released 1969. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1969-07-30 Composer, Lyricist: J. Zawinul Composer, Lyricist: Miles Davis Soloist, Soprano Saxophone: Wayne Shorter Piano: Chick Corea Piano: Herbie Hancock Electric Guitar, Soloist: John McLaughlin Organ: Josef Zawinul Bass: Dave Holland Producer: Teo Macero Drums: Tony Williams

Loui̲s̲ A̲r̲m̲s̲t̲r̲o̲n̲g & Duke̲ E̲l̲l̲i̲n̲gt̲o̲n̲ The Comp̲lete Se̲s̲s̲i̲o̲n̲s̲ ̲(̲1̲9̲6̲1̲)̲

 Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops",^[2] was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz.^[3] He received numerous accolades including the Grammy Award for Best Male Vocal Performance for Hello, Dolly! in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972, and induction into the National Rhythm & Blues Hall of Fame in 2017.^[4]

 

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.^[1]

Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz.

0:00:02 D̲u̲k̲e̲'̲s̲ ̲P̲l̲a̲c̲e̲ 0:05:09 I̲'̲m̲ ̲J̲u̲s̲t̲ ̲A̲ ̲L̲u̲c̲k̲y̲ ̲S̲o̲ ̲A̲n̲d̲ ̲S̲o̲ ̲ 0:08:20 C̲o̲t̲t̲o̲n̲ ̲T̲a̲i̲l̲ ̲ 0:12:10 M̲o̲o̲d̲ ̲I̲n̲d̲i̲g̲o̲ ̲ 0:16:13 D̲o̲ ̲N̲o̲t̲h̲i̲n̲'̲ ̲T̲i̲l̲l̲ ̲Y̲o̲u̲ ̲H̲e̲a̲r̲ ̲F̲r̲o̲m̲ ̲M̲e̲ ̲ 0:18:52 T̲h̲e̲ ̲B̲e̲a̲u̲t̲y̲f̲u̲l̲ ̲A̲m̲e̲r̲i̲c̲a̲n̲ ̲ 0:22:06 B̲l̲a̲c̲k̲ ̲A̲n̲d̲ ̲T̲a̲n̲ ̲F̲a̲n̲t̲a̲s̲y̲ ̲ 0:26:08 D̲r̲o̲p̲ ̲M̲e̲ ̲O̲f̲f̲ ̲I̲n̲ ̲H̲a̲r̲l̲e̲m̲ ̲ 0:30:03 T̲h̲e̲ ̲M̲o̲o̲c̲h̲e̲ ̲ 0:33:47 I̲n̲ ̲A̲ ̲M̲e̲l̲l̲o̲w̲t̲o̲n̲e̲ ̲ 0:37:41 I̲t̲ ̲D̲o̲n̲´̲t̲ ̲M̲e̲a̲n̲ ̲A̲ ̲T̲h̲i̲n̲g̲ ̲ 0:41:40 S̲o̲l̲i̲t̲u̲d̲e̲ ̲ 0:46:39 D̲o̲n̲´̲t̲ ̲G̲e̲t̲ ̲A̲r̲o̲u̲n̲d̲ ̲M̲u̲c̲h̲ ̲A̲n̲y̲m̲o̲r̲e̲ 0:50:15 I̲´̲m̲ ̲B̲e̲g̲i̲n̲n̲i̲n̲g̲ ̲T̲o̲ ̲S̲e̲e̲ ̲T̲h̲e̲ ̲L̲i̲g̲h̲t̲ 0:53:56 J̲u̲s̲t̲ ̲S̲q̲u̲e̲e̲z̲e̲ ̲M̲e̲ ̲ 0:57:57 I̲ ̲G̲o̲t̲ ̲I̲t̲ ̲B̲a̲d̲ ̲A̲n̲d̲ ̲I̲t̲ ̲A̲i̲n̲´̲t̲ ̲G̲o̲o̲d̲ ̲ 1:03:29 A̲z̲a̲l̲e̲a̲

Miles Davis - Sketches of Spain (1960)

 

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.^[1]

Personnel: 

Danny Bank – bass clarinet Bill Barber – tuba John Barrows – French horn Albert Block – flute James Buffington – French horn Eddie Caine – flute Paul Chambers – bass Earl Chapin – French horn Jimmy Cobb – drums Johnny Coles – trumpet Miles Davis – trumpet, flugelhorn Gil Evans – arranger, conductor Harold Feldman – clarinet, flute, oboe Bernie Glow – trumpet Dick Hixon – trombone Elvin Jones – percussion Taft Jordan – trumpet Jack Knitzer – bassoon Jose Mangual – percussion Jimmy McAllister – tuba Tony Miranda – French horn Louis Mucci – trumpet Romeo Penque – oboe Janet Putnam – harp Frank Rehak – trombone Ernie Royal – trumpet Joe Singer – French horn

 A1 Concierto De Aranjuez (Adagio) 0:00 A2 Will O' The Wisp (From "El Amor Brujo") 16:23 B1 The Pan Piper 20:15 B2 Saeta 24:14 B3 Solea 29:19

 Recorded: November 15 & 20 1959 and March 10, 1960

Herbi̲e̲ H̲a̲n̲c̲o̲c̲k̲ – ̲T̲a̲k̲i̲n̲' O̲f̲f (1̲9̲6̲2̲)̲

 

Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer.^[2] Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.^[3]

Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man", "Maiden Voyage", and "Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental "Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 2007 Joni Mitchell tribute album River: The Joni Letters, becoming only the second jazz album to win the award after Getz/Gilberto in 1965.

Since 2012, Hancock has served as a professor at the University of California, Los Angeles, where he teaches at the UCLA Herb Alpert School of Music.^[4] He is also the chairman of the Herbie Hancock Institute of Jazz^[4] (formerly known as the Thelonious Monk Institute of Jazz until 2019).

0:00:02 W̲a̲t̲e̲r̲m̲e̲l̲o̲n̲ ̲M̲a̲n̲ 0:07:09 ̲T̲h̲r̲e̲e̲ ̲B̲a̲g̲s̲ ̲F̲u̲l̲l̲ 0:12:36 ̲E̲m̲p̲t̲y̲ ̲P̲o̲c̲k̲e̲t̲s̲ 0:18:48 ̲T̲h̲e̲ ̲M̲a̲z̲e̲ 0:25:30 ̲D̲r̲i̲f̲t̲i̲n̲'̲ 0:32:34 ̲A̲l̲o̲n̲e̲ ̲A̲n̲d̲ ̲I̲ 0:38:52 ̲W̲a̲t̲e̲r̲m̲e̲l̲o̲n̲ ̲M̲a̲n̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲ 0:45:25 ̲T̲h̲r̲e̲e̲ ̲B̲a̲g̲s̲ ̲F̲u̲l̲l̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲ 0:50:56 ̲E̲m̲p̲t̲y̲ ̲P̲o̲c̲k̲e̲t̲s̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲

 Takin' Off is the debut album by jazz pianist Herbie Hancock released in 1962^[7] by Blue Note Records. Featuring veteran tenor saxophonist Dexter Gordon, trumpeter Freddie Hubbard, bassist Butch Warren and drummer Billy Higgins. The album is a creative example of music in the hard bop idiom.^[8] The bluesy track "Watermelon Man" made it to the Top 100 of the singles charts,^[8] and went on to become a jazz standard. Hancock released a funk arrangement of “Watermelon Man” on his 1973 album Head Hunters. Takin' Off was initially released on CD in 1996 and then again in remastered form in 2007 by Rudy Van Gelder.

Dr. Lonnie Smith - 50 Ways To Leave Your Lover (Paul Simon)

 Lonnie Smith (July 3, 1942 – September 28, 2021), styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year's best organist by the Jazz Journalists Association nine times.

from "All In My Mind" 2018 Dr. Lonnie Smith - Organ, Arranger Jonathan Kreisberg ‎- Guitar Joe Dyson - Drums

Jim McNeely – The Plot Thickens (1979)

 Jim McNeely (born May 18, 1949) is a jazz pianist, composer, arranger and faculty. 

 Jim McNeely was born in Chicago, Illinois. He earned a Bachelor of Music degree from the University of Illinois, and moved to New York City in 1975. In 1978, he joined the Thad Jones/Mel Lewis Big Band. He spent six years as a featured soloist with that band and its successor, Mel Lewis and the Jazz Orchestra (now the Vanguard Jazz Orchestra).

00:00 - 09:23 01 the plot thickens 09:23 - 12:42 02 the light at the end of the cave 12:42 - 19:03 03 burgundy and the virgin snow 19:03 - 25:20 04 inner ear 25:20 - 37:48 05 chelsea litany_feng liu 37:48 - 40:28 06 chelsea litany (piano solo) 40:28 - 50:26 07 the plot thickens (alt. take) 

 Bass – Jon Burr, Mike Richmond (tracks: A1, B3) Drums – Billy Hart Engineer, Mixed By, Mastered By – Rudy Van Gelder Guitar – John Scofield (tracks: A1, B3) Liner Notes – David Feinman, Leslie Ladd* Photography By – Deborah Feingold Piano, Composed By – Jim McNeely

 Producer, Artwork [Portrait Of Jim McNeely], Design [Album] – David Feinman Recorded May 4 and June 27, 1979.

Paul Desmond - A Taste Of Honey (and lyrics)

 Paul Desmond (born Paul Emil Breitenfeld; November 25, 1924 – May 30, 1977) was an American jazz alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group's biggest hit, "Take Five". He was one of the most popular musicians to come out of the cool jazz scene.

In addition to his work with Brubeck, he led several groups and collaborated with Gerry Mulligan, Chet Baker, Jim Hall, and Ed Bickert. After years of chain smoking and poor health, Desmond succumbed to lung cancer in 1977 after a tour with Brubeck.

Bass -- Gene Cherico Drums -- Connie Kay Guitar -- Jim Hall Alto sax -- Paul Desmond Recorded 1965 DISCLAIMER:

 All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only. If you like this recording, I strongly recommend you buying the record.

 Paul Desmond recorded a version in 1964 on his album Glad to Be Unhappy (RCA LPM 3407)

 "A Taste of Honey" is a pop standard written by Bobby Scott and Ric Marlow. It was originally an instrumental track (or recurring theme) written for the 1960 Broadway version of the 1958 British play A Taste of Honey (which was also made into the film of the same name in 1961). Both the original and a later recording by Herb Alpert in 1965 earned the song four Grammy Awards. A vocal version of the song—first recorded by Billy Dee Williams (and released in 1961 on the Prestige label), and then recorded very successfully by Lenny Welch in the summer of 1962—was also recorded by the Beatles for their first album in 1963. Barbra Streisand performed the song as part of her cabaret act during 1962, and recorded it in January 1963 for her debut album The Barbra Streisand Album, on Columbia, which won a Grammy for Album of the Year (1963). The publishing rights are owned 100% by Songfest Music Corporation, a subsidiary of GPS Music Corporation.^{[citation needed]}

 

Winds may blow over the icy sea

I'll take with me the warmth of thee

A taste of honey

A taste much sweeter than wine

I will return

I'll return

I'll come back for the honey and you

I'll leave behind my heart to wear

And may it e'er remind you of

A taste of honey

A taste much sweeter than wine

I will return

I'll return

I'll come back for the honey and you

He ne'er came back to his love so fair

And so she died dreaming of his kiss

His kiss of honey

A taste more bitter than wine

I will return

I will return

I'll come back for the honey and you

I'll come back for the honey and you

Chet Baker - My Funny Valentine - (Chet Baker in Tokyo)

 Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations within the cool jazz subgenre leading him to be nicknamed the "prince of cool".^[3]

Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings (1954), It Could Happen to You (1958)). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one".^[4] His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s.^[5]

Τραγούδι

My Funny Valentine (Live)

Καλλιτέχνης

Chet Baker

Στιχουργοί/Συνθέτες

Richard Rodgers, Lorenz Hart

Με άδεια για το YouTube από

TuneCore (για λογαριασμό της δισκογραφικής εταιρείας CHET BAKER ESTATE); Polaris Hub AB, CMRRA, PEDL, Warner Chappell, LatinAutorPerf, ASCAP, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutor - Warner Chappell, Concord Music Publishing και 10 εταιρείες μουσικών δικαιωμάτων

Ella Fitzgerald & Louis Armstrong: Dream A Little Dream Of Me

 Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career.

Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops",^[2] was an American trumpeter and vocalist. He is among the most influential figures in jazz. His career spanned five decades and different eras in the history of jazz.^[3]

Dream A Little Dream Of Me (Single Version)

Καλλιτέχνης

Ella Fitzgerald, Louis Armstrong

Άλμπουμ

Dream A Little Dream Of Me

Στιχουργοί/Συνθέτες

Fabian Andre

Με άδεια για το YouTube από

UMG, Naxos Digital Services US, Inc, Entertainment One U.S., LP (για λογαριασμό της δισκογραφικής εταιρείας Verve Reissues); Warner Chappell, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, MINT_BMG, LatinAutor, BMG Rights Management (US), LLC, Polaris Hub AB, Create Music Publishing, LatinAutorPerf, ARESA, Abramus Digital, LatinAutor - PeerMusic, SOLAR Music Rights Management, LatinAutor - SonyATV και 11 εταιρείες μουσικών δικαιωμάτωνStars shining bright above you Night breezes seem to whisper "I love you" Birds singing in the sycamore trees Dream a little dream of me Say nighty-night and kiss me Just hold me tight and tell me you'll miss me While I'm alone and blue as can be Dream a little dream of me Stars fading but I linger on dear Still craving your kiss I'm longing to linger till dawn dear Just saying this Sweet dreams till sunbeams find you Sweet dreams that leave all worries behind you But in your dreams whatever they be Dream a little dream of me Stars fading but I linger on dear Still craving your kiss I'm longing to linger till dawn dear Just saying this Sweet dreams till sunbeams find you Sweet dreams that leave all worries behind you But in your dreams whatever they be Dream a little dream of me

Miles Davis - Kind Of Blue (Full Album)

 Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.^[1]

"Kind of Blue" is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, with pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. After the entry of Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) by basing Kind of Blue entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.

00:00 - So What 12:16 - Freddie Freeloader 22:03 - Blue in Green 27:42 - All Blues 39:15 - Flamenco Sketches

Jimmy Smith ‎– Root Down - Jimmy Smith Live! (1972)

 James Oscar Smith (December 8, 1925 or 1928^[1] – February 8, 2005)^[2] was an American jazz musician whose albums often appeared on Billboard magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.

In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians.^[3]

00:00 - 11:44 01. Sagg Shootin' His Arrow (Unedited Performance) 11:44 - 17:39 02. For Everyone Under The Sun 17:39 - 25:30 03. After Hours 25:30 - 38:09 04. Root Down (And Get It) (Unedited Performance) 38:09 - 44:36 05. Let's Stay Together 44:36 - 54:58 06. Slow Down Sagg (Unedited Performance) 54:58 - 1:07:11 07. Root Down (And Get It) (Previously Unissued Alternative Version) Bass – Wilton Felder Congas, Percussion – Buck Clarke Drums – Paul Humphrey Engineer – Ed Greene (3), Jack Hunt Executive-Producer – Eddie Ray (2) Guitar – Arthur Adams Harmonica – Steve Williams (14) Photography By – David Rawcliffe Recorded By, Edited By – Eric Miller (6)