Πέμπτη 8 Αυγούστου 2024

Batsumi - Batsumi (1974) Compilation (1977)

 Prepare yourself for a mesmerizing sonic journey through the vibrant streets of Soweto with Batsumi's self-titled masterpiece. Released in 1974, this album is a testament to the rich tapestry of South African jazz and its ability to captivate audiences with its infectious rhythms and soul-stirring melodies. Led by the enigmatic Maswaswe Mothopeng on vocals and guitar, Batsumi delivers a spellbinding fusion of jazz, folk, and world music that transcends borders and speaks to the universal human experience. From the hypnotic grooves of "Lishonile" to the haunting beauty of "Emampondweni," each track on this album is a sonic revelation, transporting listeners to a world where music knows no bounds. With their unique blend of traditional African instrumentation and contemporary jazz sensibilities, Batsumi creates a sound that is at once familiar and yet utterly original. It's music that speaks to the soul, reminding us of the power of music to unite, uplift, and inspire. But what truly sets Batsumi apart is their fearless experimentation and boundless creativity. Tracks like "Mamshanyana" and "Itumeleng" push the boundaries of the jazz genre, incorporating elements of improvisation and freeform exploration to create a sound that is as daring as it is beautiful. With their infectious energy and undeniable talent, Batsumi has carved out a unique place for themselves in the annals of South African music history. So sit back, relax, and let the music of Batsumi wash over you like a warm summer breeze, transporting you to a world of wonder and possibility. With their self-titled debut album, Batsumi invites you to join them on a musical odyssey unlike any other, where the night is filled with magic, and the day is always full of promise.

 https://daily.bandcamp.com/features/batsumi-feature

 During the brutal era in South African history known as Apartheid, the minority-white ruling party forcibly moved millions of black South Africans from their homes to segregated areas, stripping them of their citizenship and reassigning them to tribal Bantu status. But even in the face of this outrageous oppression, South African music thrived. Artists like pianist Abdullah Ibrahim (formerly known as Dollar Brand), and multi-instrumentalist Hugh Masekela gained fame both within the country and beyond. But Ibrahim and Masekela were the exceptions, rather than the rule. Because they both lived and toured abroad, it was easier for their music to get attention. For local South African musicians, operating under the threat of state violence, breaking through to European and American audiences was much harder.

 https://www.youtube.com/watch?v=ivC0F7yB0II&list=PLvjt20QnrzpUGpO75RCYgDXrZc-wucnZc

Tracklist: 00:00 - 1. Lishonile 11:27 - 2. Emampondweni 16:37 - 3. Mamshanyana 21:20 - 4. Itumeleng 37:23 - 5. Anishilabi Members: Zulu Bidi: Double Bass, Design, Artwork Lekgabe Maleka: Drums Thabang Masemola: Drums, Flute, Jew's Harp Sello Mothopeng: Organ Themba Koyana: Tenor Saxophone Buta Buta Zwane: Vocals, Bongos Maswaswe Mothopeng: Vocals, Guitar Additional Credits: Chris van Schouwen: Engineer Baba Matiwane: Producer

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